Due to our participation at alt_cph the booking of equipment and rooms will e closed from Wed 3. until Thu. 9 Sept.
Den 31.august arrangerer Skånes Konstforening et seminar som anbefales. Er du i nærheten-‘anmäl dig’! Skånes konstförening ligger i
Bragegatan 15 i Malmö.
(by Trond Lossius)
Over the past 1 1/2 year I have gradually been porting Ambisonic Toolkit by Joseph Anderson et. al. to a set of JS FX plugins for Reaper. ATK for Reaper consists of a number of plugins for encoding, transforming and decoding FOA sound fields, and contain several functionalities that to the best of my knowledge are not available in existing plugin suites for FOA.
Me and Joseph have been writing a paper on the subject that will be presented as a poster at the upcoming joint ICMC / SMC conference in Athens. I’d like to have an initial release of ATK for Reaper available for download by the time of the conference, but before letting it out in the wild, it would be useful to have some beta-testing in order to ensure that there are no obvious malfunctions, omissions or bad interaction design decisions in the first release. Hence I’m looking for a few beta testers to give some initial feedback on the plugin suite.
I have made an installer for OSX that should make it easy to get up and going. For Windows installing currently will require a bit of manual copying into the correct folders. I have not tested the plugins on Windows myself yet, but as it is all based on the JS FX scripting language, I would expect them to work the same there as on Mac. On Windows it would also be possible to test them with other VST hosts using ReaPlugs.
In particular I’m looking for feedback of the type:
- “This seems to work well”
- “This is just not working”
- “This is just plain wrong”
- “This is really nice and intuitive”
- “This is not intuitive at all”
- “I have a suggestion for an improvement: …”
Initial reactions to the plugins are particular useful, as the first reaction to user interfaces are often quite informative in terms of how the user interaction design works (or not).
If you are (1) a regular user of Reaper, (2) have prior experience with first order ambisonic, and (3) have the interest and some available time over the next two weeks for testing and providing feedback, please contact me. If you have prior experience with ATK for SuperCollider, that would be useful as well. Please also provide me with information on what OS you are using.
And if you have prior experience with building installers for Windows that would be particularly useful, I might need some help when attempting to solve this one.
Ved Høgskolen i Oslo og Akershus er det fremdeles noen ledige studieplasser på Masterstudiet i estetiske fag ved den nye studieretningen Kunst i samfunnet. Studieretningen er sentrert rundt formidling, prosjektutvikling, organisering, kuratering, kulturelt entreprenørskap og kunstkritikk.
Beginning this autumn, Rhizome and Beijing-based TASML and CAT/CCIA will award a substantial new prize for internet art.
The “no strings attached” prize, which will be awarded three times in total in 2014, 2015, and 2016, will recognize the past work and future promise of one artist making outstanding work on the internet. The awardee will receive $10,000; a second distinction award of $5,000 will also be made each year.
To us, the prize feels timely. It celebrates the current moment of internet art and looks ahead to its future. As many artists have won international acclaim for work that tackles technology as subject matter through media forms of long standing—sculpture, installation, and painting—internet art remains less recognized, less supported. This prize gives a boost to those who continue to make art on the internet, and emphasizes the unique cultural importance of such work.
We’re thrilled to work with our partners to acknowledge significant internet artists who continue to be committed to working online, who have inspired us in the past, and whose best work still lies ahead.
Deadline for nominations: August 31, 2014. Please see full information about the prize on http://www.prixnetart.org.