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mens vi venter, fml. på Bergen Kjøtt

2014-11-27

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PAC inviterer til forestilling på Bergen Kjøtt 27, 28 og 29. november. Alle dager klokken 20.00.

mens vi venter, fml. er en forestilling utarbeidet med grunntanken om å forsøke å bygge ned hierakier, både i estetikk og organisering. Vi har jobbet med prosjektet siden i sommer og ønsker nå å invitere publikum med inn i vårt univers.

Konsept: Elise Tunstrøm
Scenografi: Tora Troe
Lyd og musikk: Jonas Røyeng
Ida Jada: Elise Austad
Linn Strikkepinn: Sacha Slengesol Balgobin

BEK støtter prosjektet med utstyr

cc: 100,-
reservasjon: eliseaustad@gmail.com

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SPRANG på soft galleri, Oslo

2014-11-27

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Åpning torsdag 27. november kl 18-20.
Utstillingsperiode: 27. november 2014 til 1. januar 2015.

Kunstnerne Hilde Hauan Johnsen og Maia Urstad har i flere år samarbeidet om felles prosjekter og utstillinger der de tar i bruk ny teknologi som kunstnerisk språk og virkemiddel. Det gjør de også i installasjonen SPRANG som består av lyd og fiberoptikk.

Utgangspunktet for verket er hentet fra gammel kunnskap. Her møter den urgamle, tekstile håndarbeidsteknikken “sprang” lydlige fenomen som overtoner, lydbølger og vibrasjon basert på Pytagoras teorier om akustikk og geometri.

Utstillingen er støttet av Kulturrådet, Kunst og Ny teknologi, BEK-Bergen senter for Elektronisk Kunst, KHiB og Atelier Nord.

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The Iron Ring Project

2014-11-27

Cecilia Jonsson wins second price for The Iron Ring Project in VIDA 16.0 Art and Artificial Life International Awards. Congratulations! http://vida.fundaciontelefonica.com/en/project/the-iron-ring/

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Call for Participants for Spatial Audio Questionnaire

2014-11-14

Justin Mathew is investigating the use of audio spatialization in various projects to gain a broader understanding of how its techniques are implemented. To do this, he is conducting an online questionnaire to gather more insight. He asks for participants who are composers, sound designers, audio engineers, musicians, and artists who spatialize audio in their projects (i.e. compositions, live performances, studio recording/mixing, installations, interactive systems, etc.) to take part in our questionnaire.

The questionnaire will take approximately 20-30 minutes, but can be paused and continued at any time. Response can also be edited until 31-December-2014.

The results of this study will hopefully be used to design new interactive and visualization interfaces for audio spatialization.

To participate in this study please follow this link: http://goo.gl/forms/UMU0glqeI1

Thank you for you time.

For further information, please contact justin.mathew@inria.fr.

Justin Mathew
PhD Candidate
Université Paris-Sud, Inria-Lille, CNRS-LIMSI

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Berlin almanac on contemporary musical instruments -- Call for contributions

2014-10-21

Deadline: 15.11.2014

The 3DMIN project invites authors to contribute to a collection on contemporary musical instruments and related musical practice.
The almanac’s intention is to collect and present as many as possible viewpoints upon the field of contemporary musical instruments.
The pieces forming the alamanc are intended to explain aspects of contemporary musical instruments by forming a body of information of which the reader gains insights and new impulses for her artistic or scientific work.
Questions to be addressed are e.g.

  • What is a contemporary musical instrument?
  • What do you concider as important aspects of a contemporary musical instrument?
  • How does your professional perspective shape your viewpoint on contemporary musical instruments?
  • How does a contemporary musical instrument shape musical practice?

Each author of an essay is asked to select one of the many aspects around contemporary musical instruments and formulate a short piece around it. A collection of subjects for inspiration can be found here. The form of the pieces is, within the boundaries described below, left to the authors.

Submitted pieces will be reviewed, edited and eventually published on a dedicated webpage. Depending on the amount and quality of the submitted material, a printed publication of selected works is planned.

Suggested form of contributions

Submitted pieces should be compiled in a form the single authors finds suitable for the chosen theme. Examples for such a form are: a short essay (about 500 words), a photo collection, a figure, a table, a javascript element, or a combination of them. Sound and video material is highly appreciated. The amount of displayed information should not exceed the size of an A4/letter-format page.
The submission language is english.

Contact

Please inform your intention to contribute with information on the subject(s) you intend to cover as soon as possible to

t.bovermann@udk-berlin.de

Final contributions should be sent to the same address.

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