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PUBLIC seminar og videoevent



Onsdag 6. november: 18.00- 22.00
Tema: Videokunst i det offentlig rom
Sted: Tag Team Studio i Møllendalsveien 17,

Med suppepause og videoevent.

TagTeam og DOPPLER har gleden av å inviterer til et kveldsseminar hvor vi vil diskutere utfordringer og opplevelser knyttet til videobasert og temporær kunst i det offentlige rom. Seminaret tar opp spørsmål rundt bruk og tilgjengelighet for publikum, gjeldende ulike utsmykningsformer, temporære visninger, samt arkivering og nye visningsarenaer. Som en del av seminaret vil Doppler vise et av Tania Ruiz Gutierrez verk i nærområdet.

Inviterte deltagere:

Tania Ruiz Gutierrez:
Vi har invitert Tania Ruiz Gutierrez til å presentere sin monumentale videoinstallasjon ´Elsewhere´på Malmö Centralstation. Hun vil bl.a. snakke om idéutviklingen av prosjektet og utfordringer/muligheter knyttet opptil drift av denne typen utsmykninger. ´Elsewhere´er det største permanente kunstvideoprosjekt i Europa og består av 46 projeksjoner, spredd utover 360 meter i et bevegelig panorama som flyter langs med trafikken.

Jørgen Blitzner: Jørgen Blitzner er konsulent for utsmykningen av Bybanen i Bergen. Vi har invitert han til å presentere ferdigstilte utsmykninger langs bybanen, ideer og planer for de neste to byggetrinn med fremtidige visjoner.

Anne Marte Dyvi: Anne Mathe Dyvi vil presentere arbeid knyttet til Nasjonalt arkiv for videokunst, Hva skal vi og vil vi med arkivene? Hvordan kan vi bevare, tilgjengeliggjøre og tilrettelegge videokunst for fremtiden?

Videosnakk: Avsluttende refleksjoner med deltagere og publikum. Seminaret vil foregå på engelsk og norsk.

Doppler: og TagTeam:

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PUBLIC, seminar and video event in Bergen

Wednesday 6th of November: 18.00- 22.00 ( including pause with serving of soup)
Theme: Video based art in public spaces.
Place: TagTeam Studio, Møllendalsveien 17.

TagTeam and DOPPLER has the pleasure to invite to an evening seminar concerning video based and temporary art in public spaces. The seminar will discuss questions concerning the use and availability for the public in relevant to different types of public commissions, temporary screenings as well as archiving and new arenas for viewing . As a part of the seminar Doppler will show one of Tania Ruiz Gutierrez video works outdoors in the area.

Tania Ruiz Gutierrez (FR)
Jørgen Blitzner (NO)
Anne Marthe Dyvi (NO)

Tania Ruiz Gutierrez ( french/colombian visual artist living in Paris) will presents her video work ‘Elsewhere’, video installation at Malmö Central Station( Sweden) . Elsewhere is a monumental moving panorama composed of 46 projections, deployed over 360 linear meters. This is the largest permanent video artwork in Europe.

Jørgen Blitzner : Jørgen Blitzner is adviser for the public commissions for Light Rail project in Bergen. We have invited him to present finished art works along the light rail, ideas and plans for the next two stages with future visions.

Anne Marte Dyvi: Anne Mathe Dyvi will be presenting work related to the National Archives for video, How can we collect, maintain, make available and facilitate video for the future?

Video talk: Talks on future thoughts on the medias placement in public spaces.

Visual Artist Tania RUIZ GUTIERREZ trained as a film-maker. She initially focused mainly in video projections, her works now include objects and mixed-media installations, which have appeared in several international exhibitions and festivals. Public space is a central subject of her artistic research and practice. Main works on this field are GardeTemps – a light, video based, permanent sculpture for the City of Vancouver – and Elsewhere, a monumental permanent video installation for the new Malmö Central Station, opened in December 2010. She currently teaches at the Art Department of The University of Paris VIII.

Elsewhere is a multi-projection video art work which seeks to transform the reinforced concrete landscape of the Malmö C underground station into a wide open space. Through a projection device that evokes the perceptual experience from the train, the viewers will be invited to lose themselves in images during their wait. The projections acting as windows, the station itself becomes a train that loses its spatial and temporal rails, itinerant across the earth.

Mailing list for BEK users



ICAD 2014 - Call for Papers


20th International Conference on Auditory Display
22 – 25 June 2014
New York, NY, USA

Paper submission deadline: February 1 2014.

The 2014 International Conference on Auditory Display (ICAD) will be held June 22-25, 2014, at New York University (NYU). ICAD, which began in 1992, will have its 20th conference featuring paper sessions, student think-tanks, workshops, concerts, and other special events.


The conference will take place at NYU’s Steinhardt School of Culture, Education and Human Development. NYU Steinhardt’s facilities are conveniently located in the heart of Manhattan’s Greenwich Village and next to the historic Washington Square Park.


ICAD is the premier international venue for the dissemination and discussion of work related to the science, art, and practice of sound as a communicative display. Technical areas for the ICAD include but are not limited to:

  • 3D and Spatial Audio
  • Aesthetics, Philosophy, and Culture of Auditory Displays
  • Auditory Display Theory and Methods
  • Auditory Information Design
  • Accessibility
  • Applications of Sound in Systems
  • Evaluation and Usability of Auditory Displays
  • Human Factors of Auditory Display
  • Sound Interaction Auditory Cognition, Perception, and Psychoacoustics
  • Sonification and Exploration of Data through Sound
  • Sonification as Art
  • Technologies and Tools for Auditory Display
  • Use of Audio in Human-Computer Interfaces


We invite the following three forms of submissions:

  • Full Papers should describe work that offers a substantial contribution to the field of auditory display. Paper submission will be 4-8 pages in length, including all figures and references. Authors of accepted papers will be invited to give an oral presentation of their work, and at least one author must present the work at the conference for the paper to appear in the published proceedings.
  • Poster submissions should describe both finished work and work in late stages of progress. Work that is complete enough that meaningful conclusions can be drawn at the time of submission is encouraged. Submission for posters requires a proceedings paper of 4-8 pages in length. Authors of accepted submissions will be invited to participate in a poster session, and at least one author must present the work at the conference for the paper to appear in the published proceedings.
  • Extended abstracts include, but are not limited to late-breaking results, works in early stages of progress, novel methodologies, unique or controversial theoretical positions, and discussions of unsuccessful research or null findings. Particular attention will be paid to the potential for extended abstracts to lead to engaging presentations of broad benefit to the auditory display community. Submissions for extended abstracts require a proceedings paper of up to 2 pages in length. At least one author must present the work at the conference for the abstract to appear in the published proceedings.


  • Submission of papers for review: February 1 2014.
  • Notification of acceptance: April 1, 2014
  • Camera-ready papers: May 1, 2014


For more information on ICAD 2014 please visit


Papers Co-Chairs

Norberto Degara and Areti Andreopoulou

Conference Chairs

Agnieszka Roginska and Tae Hong Park



CFP: Live Algorithms 2014


A symposium of the AISB-50 annual convention to be held at Goldsmiths, University of London, on April 2nd, 2014 (tbc)

The convention is organised by the Society for the Study of Artificial Intelligence and Simulation of Behaviour (AISB)


LAM is an inter-disciplinary nexus for musicians (computer and acoustic), computer and cognitive scientists, interaction specialists, philosophers, psychologists and all others who are intent on pursuing and contributing to the goal of an autonomous machine improvisor.

The live algorithm interacts with human performers by listening to contributions in its musical environment, preparing musical material that has at least an element of originality and appropriateness, and delivering this material back into the environment. The intention is to (a) provide a meaningful experience of interacting with a machine intelligence and (b) explore novel musical spaces. The aim is not to simulate the role of human musicians but to find new possibilities for musical expression. The quest is driven by algorithmic processes and models of cognition, creativity and interaction.

The symposium will take place in a single day during the AISB symposium and will consist of a session of presentations of papers, a demonstration session, and an evening concert.

Further details are available at the LAM 2014 website:


Any research topic that contributes to the Live Algorithm agenda is welcome; for example

Machine listening/analysis
Sound synthesis
Generative music
Music Information Retrieval
Human/Computer interaction
Theory and practice of improvisation
Models of human communication
Computational creativity
Machine consciousness
Interaction design

Submission must be sent via EasyChair:

Templates are available here:

We request that full papers are limited to eight pages. An extended abstract of up to four pages and a link to online examples are required for the demonstration session. Performance notes of up to four pages, links to online examples and a list of technical requirements are required for performance applications (you can also provide details of any relevant partnership with a particular musician).

Each application will receive at least two reviews. Selected papers, extended abstracts and performance notes will be published in the general proceedings of the AISB convention (with an ISBN) and with the proviso that at least ONE author attends the symposium in order to present the paper and participate in general symposium activities.

Applicants are welcome to participate in more than one session; please let us know if this is the case.


  1. Submission deadline: 3rd January 2014
  2. Notification of acceptance/rejection decisions: 3rd February 2014
  3. Final version of accepted papers/abstracts/performance notes (camera ready copy): 24th February 2014
  4. Convention: 1-4 April 2014 (confirmation of LAM 2014 symposium tbc)


Please note that there will be separate proceedings for each symposium, produced before the convention. Each delegate will receive a memory stick containing the proceedings of all the symposia. In previous years there have been awards for the best student paper, and limited student bursaries. These details will be circulated as and when they become available. Authors of a selection of the best papers will be invited to submit an extended version of the work to a journal special issue.


Tim Blackwell
Department of Computing
Goldsmiths, University of London
New Cross
London SE14 6NW

Michael Young
Department of Music
Goldsmiths, University of London
New Cross
London SE14 6NW


Gerard Assayag, IRCAM France
Oliver Bown, University of Sydney, Australia
Nick Collins, Durham University
Roger Dean, MARCS Institute, University of Western Sydney
Bill Hsu, San Fransisco State University, USA
Alex McLean, University of Leeds
Eduardo Miranda, Plymouth University
Francois Pachet, SONY, France
Philipe Pasquier, Simon Fraser University, Canada
Andrew Robertson, Queen Mary, University of London
Diemo Shwarz, IRCAM France
Dan Stowell, Queen Mary, University of London
Atau Tanaka, Goldsmiths, University London



Jamoma 0.6 alpha 25



Utviklingen av Jamoma 0.6 fortsetter, og nå er en ny alfa-versjon (25) tigjengelig. Flere detaljer finner du her.



Launch of the new publication “Hybrids”: Eamon O'Kane in dialogue with Barbara Bader


Bergen Academy of Art and Design are pleased to launch the new publication “Hybrids” by Eamon O’Kane, Professor of Visual Art and Artistic Research Leader at Department of Fine Art. For the occasion of launching the publication Eamon O’Kane will be in dialogue with Dr. Barbara Bader. The discussion takes place Wednesday October 30th at 4pm at Litteraturhuset in Bergen.


The publication “Hybrids” presents two bodies of work that has ran parallel in O’Kanes artistic work. The first body of work uses his parents’ house, the house he grew up in, as its main subject. The second body of work examines among other things the legacy of Friedrich Fröbel on modern society.

The publication comprises three texts and a rich photographic documentation of his work. In the first text Eamon O’Kane contextualises several strands within his art practice to reflect on his most current artwork and how it relates to contemporary society. In an interview researcher and writer Gideo Fink Shapiro questions Eamon O’Kane about how architecture and design are adressed in relation to sources of inspiration in O’Kane’s artwork. Dr. Angelica Nollert examines how the artworks relate to Eamon O’Kane’s earlier practice and situates them in relation to contemporary art with references to relational artwork and the history of interactive installations in art.

About the Participants
Eamon O’Kane is Professor in Visual Art at Department of Fine Art at Bergen Academy of Art and Design (2011-). O’Kane exhibits widely and is the recipient of many awards and scholarships including the Taylor Art Award, The Tony O’Malley Award and a Fulbright Award. He has shown in exhibitions curated by Dan Cameron, Lynne Cooke, Klaus Ottman, Salah M. Hassan, Jeremy Millar, Mike Fitzpatrick, Sarah Pierce, Jeanne Greenberg-Rohatyn, Angelika Nollert, Yilmaz Dziewior and Apinan Poshyananda. O’Kane has taken part in EV+A, Limerick, Ireland seven times including 2005 when he received an EV+A open award from Dan Cameron. In 2006 he was short-listed for the AIB Prize and received a Pollock Krasner foundation grant.

Barbara Bader, Dr., Professor of Art Education and Educational Sciences at Akademie der Bildenden Künste, Stuttgart. Previously Head of Department Art Education and Design at the Berne University of the Arts (2006-2013). Barbara Bader is project leader of several research projects on social, cognitive and visual learning in the subject area of Visual Arts as well as their documentation and verification. Bader lives and works in Bern, Switzerland.