
Project
at the Centre for Advanced Study at the Norwegian Academy of Science and Letters
(Oslo) in the academic year 2002/03 directed by Prof. Jostein Børtnes
and Prof. Tomas Hägg (University of Bergen).
The project will study the development of a specific anthropology and aesthetics
within Christian Orthodox theology with emphasis on the Cappadocian Church
Fathers (4th cent. AD), in particular Gregory of Nazianzus, and their impact
on subsequent Byzantine theologians, such as Dionysios the Areopagite (ca.
AD 500) and Maximus the Confessor (7th cent. AD).
Cappadocian
anthropology represented something new: it was based on the mystery of the
Incarnation and on the theology of the Trinity as it was formulated by the
Cappadocians. A central concern will be the role of the Cappadocians for Byzantine
aesthetics and the theology of the icon, an aspect of Orthodox tradition that
sets it apart form Judaism and Islam as well as Western theology.
Assistant
Professor of Greek and Latin at The Catholic University of America. He is
currently preparing a book on rhetoric and the self in Michael Psellos'
literary work as well as an edition of Psellos' corpus of letters for the
Teubner series. Recent articles include "The 'Usual Miracle' and an
Unusual Image: Psellos and the Icons of Blachernai", Jahrbuch der österreichischen
Byzantinistik 51 (2001) and "Michael Psellos' Rhetorical Gender",
Byzantine and Modern Greek Studies 24 (2000). He will work on literary aesthetics
and presentations of the self in the letters of
Gregory of
Nazianzus, Basil the Great, Julian, and Synesius.
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Centre
for Advanced Study at the Norwegian Academy of Science and Letters
Drammensveien 78, N-0271, Norway
Tel.: +47 22 12 25 00,
fax: +47 22 12 25 01
cas@cas.uio.no
www.cas.uio.no


Professor
of Patristic and Byzantine Studies at the Department of Theology, University
of Durham. He was formerly Professor of Cultural History at Godsmiths
College, University of London, and earlier taught at Oxford. His research
interests include St John Damascene, St Maximus the Confessor and other
Greek Fathers, iconoclasm and the theology of icons, and Orthodox theology
in the modern world. He is the author of The Origins of the Christian Mystical
Tradition: from Plato to Denys (1981), Discerning the Mystery: an Essay
on the Nature of Theology (1983), Denys the Areopagite (1989), Maximus the
Confessor (1996), and most recently St John Damascene: Tradition and Originality
in Byzantine Theology (2002). Within the Oslo project he will be working
on the influence of St Gregory Nazianzus and Dionysios the Areopagite on
Byzantine Aesthetics, especially St Maximos the Confessor.
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