"An Evaluation of the User Interface in Digital Audio Synthesis."
Master's Thesis, Tehcnical University Berlin, Department of
Computer Sciences, 1988.
"Implementierung eines Entscheidungs-Unterstützungs-Systems auf
einem Personal Computer: Die Nutzerschnittstelle von 'PS/PC'."
[Implementation of a Decision Support System on Personal Computers:
The User Interface of 'PS/PC'.]
Thesis, Tehcnical University Berlin, Department of Computer
Sciences, 1986.
In: Finscher, L. (ed.)
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2nd updated edition, Personenteil.
Forthcoming.
Bärenreiter, Kassel.
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In: Finscher, L. (ed.)
Die Musik in Geschichte und Gegenwart,
2nd updated edition, Personenteil vol. 15.
2006.
Bärenreiter, Kassel.
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In: Finscher, L. (ed.)
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2005.
Bärenreiter, Kassel.
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In: Finscher, L. (ed.)
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2nd updated edition, Personenteil vol. 13.
2002.
Bärenreiter, Kassel.
Druckman, Jacob
In: Finscher, L. (ed.)
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2nd updated edition, Personenteil vol. 5.
2001 Bärenreiter, Kassel.
Synaesthesia, Scriabin, and Software: Developing the 'Piano of Light'
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Impulse und Antworten. Festschrift für Manfred Krause.
1999 Wissenschaft und Technik Verlag, Berlin.
Albright, William (Hugh)
In: Finscher, L. (ed.)
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1999 Bärenreiter, Kassel.
The Development of Set-Theoretic Analysis Tools for Macintosh.
Les Actes de "Journees Informatique musicales"
1994 Bordeaux, LaBRI--Université Bordeaux I.
Whatever happened to CMAP for Macintosh? A status report.
Proceedings of the 19th International Computer Music Conference.
1993 Tokio, ICMA.
Contemporary Music Analysis Package (CMAP) for the Apple Macintosh.
2o. Convegno Europeo di Analisi Musicale,
R. Dalmonte, M. Baroni, ed. 1992, Bologna, Graphya.
The Development of Computer-Based Set-Theoretic Music Analysis Tools.
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Alan Marsden, ed. 1991, Belfast, The Queen's University of Belfast.
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Computing in Musicology 1991,
Eleanor Selfridge-Field and Bruce Hewlett, ed. 1991, Menlo Park,
California, Center for Computer Assisted Research in the Humanities.
Drei Fragen zur MIDI-Technologie.
HSD Dialog4(1). 1991, Berlin, HSD.
Contemporary Music Analysis Package (CMAP) for Macintosh.
(With Alexander R. Brinkman and Craig R. Harris)
Proceedings of the 16th International Computer Music Conference,
Stephen Arnold and Graham Hair, ed. 1990, Glasgow, ICMA.
Der Macintosh im elektronischen Studio der TU Berlin.
Apple Computer in Forschung und Lehre.
1989, Munich, Apple Computer GmbH.
A Survey of Users' Experience with Digital Audio Synthesis.
Proceedings of the 14th International Computer Music Conference,
Christoph Lischka and Johannes Fritsch, Ed. 1988, San Fransisco/Cologne,
ICMA/Feedback Studio.
Martin Supper: "Book review: Hans Schneider, Lose Anweisungen für klare
Klangkonstellationen. Musiken und musikalische Phänomene des 20. Jahrhunderts:
ihre Bedeutung für die Musipädagogik (Loose Instructions for Clear Sound
Constellations. Musics and musical phenomena of the 20th century: their significance
for music pedagogy)."
Organised Sound, 11(3) 2006, S. 309-310.
Martin Supper: "2005 -- Centenary of Annus Mirabilis --
'The Einstein Year'."
Open Space. 2005.
Martin Supper: "Review of When Music Resists Meaning:
The Major Writings of Herbert Brün."
Journal of New Music Research. 34(3) p. 1. 2005.
Martin Supper: "Review of Experimentelle Inszenierung von
Sprache und Musik.
Vergleichende Analysen zu Dieter Schnebel und John Cage
by Simone Heilgendorff."
Perspectives of New Music. Forthcoming.
Christine Andersen: "Festival 'audible interfaces' with the
ensemble mosaic."
Computer Music Journal. 26(4). 2002.
Martin Supper: "Notes on Interaction and Computer Music'."